suspicion of misconduct
[a little explication de texte royale for ya]
CLARENCE. In God’s name, what art thou?
FIRST MURDERER. A man, as you are.
CLARENCE. But not as I am, royal.
SECOND MURDERER. Nor you as we are, loyal.
—William Shakespeare, The Tragedy of Richard the Third
Well, here’s a thing that happened.
Points off for the absence of a series comma in “full, fair and proper,” and one would certainly prefer to see a complete sentence commencing after a colon indeed commencing, as complete sentences are wont and intended by God to do, with a capital letter—i.e., “Let me state clearly: The law must take its course.”—which would provide some much-needed oomph. Perhaps they don’t yet have Chicago 18 over on the other side of the big water.
As well, that hyphenated “co-operation” is a bit quaint.1
OTOH, “in the appropriate manner and by the appropriate authorities” is deftly done.2
The two uses of “this” in the penultimate sentence are not thrilling me, though. Perhaps the second one might do well to be a “the”?
That Charles doesn’t refer to Andrew Mountbatten-Windsor as his brother is as sad as it’s unsurprising, and yet the concluding sentence is positively murderous, the “Meanwhile” conveying a loftily regal air of staring absently into the middle distance and whistling tunelessly,3 and “my family and I” making it perfectly clear that such a group does not include Andrew Mountbatten-Windsor—a real twist o’ the knife.4
Gratitude to my pal Mark Harris for, re the sign-off: “I like ‘Charles R.’ You feel it was signed by a very earnest third grader who has stoically accepted that there is always going to be another Charles in his class.”
Things Found While Looking for Other Things:
Boris Karloff (Mord), Basil Rathbone’s son, Rodion Rathbone, billed as John Rodion (Lord DeVere), and Basil Rathbone (Richard, Duke of Gloucester, eventually, natch, Richard III) in a publicity shot for The Tower of London (1939).
Cover illustration: Achille-Louis Martinet, Tower of London5 (1862)
All of this A Word About . . . stuff of mine is free and will remain so. If you’d care to become a regular (and free!) subscriber, that’s always a delightful event. If you’d care to become a paying subscriber, you’ll have not only my indelible gratitude for helping to keep the lights on but the privilege6 of being able to kibitz, chitchat, and query in the comments (which I do of course read and, as I can, respond to).
One way or another, I am, as always, happy to see you here.
Sallie, on the other hand, was a bit miffed at having to go out in the cold damp just now.


At least it’s not, naming no names, “coöperation.”
Also, courtesy of the great Alex von Tunzelmann:
The authorities have our support = normal.
The authorities have our full support = emphatic.
The authorities have our full and wholehearted support = Send him to the Tower and hand me an axe, I’ll do it myself.
By which I probably mean that it’s the sort of thing I would do.
I’d’ve gone with “Any old how.”
My pal Will Weisser contributes:
CE: “The rest of my family and I” . . . ?
AUTHOR: Stet.
I’m not italicizing this as I suspect it’s merely a description of content rather than a formal title. And I almost, oops, called it a painting; it’s an engraving.
Such as it is, but still . . .





Now grade it on a curve that includes the behavior and public statements of The American Who Would Be King.
A pleasant image, that: The bonny Prince Charlie skipping down the lane, perhaps essaying a Fred Astaire step or two … as Britain bravely muddles on.